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ItsBurner
An auditory experiment in progress: we are explorers of sound, dismantling genre boundaries and weaving the unexpected. Eclecticism is our compass; curiosity is our guide.

Age 26

Audio Engineer

EMC Malakoff

Saturn

Joined on 2/14/17

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ItsBurner's News

Posted by ItsBurner - 9 days ago


TRASH HEART !


Trailer here


iu_1333781_6257633.webp


Soon...


Some thoughts: For me, for us, 2025 will mark a musically monochrome era; an opportunity to step boldly into uncharted horizons.

I dream in vivid colors and intricate rhymes, drawing profound inspiration from brutalist architecture, minimalist soundscapes, and the timeless allure of ancient Egypt.

There’s undeniable beauty in the absence of color. Let’s just say 2025 will serve as a direct response to 2024; a year that, while marked by success in certain areas, left me frustrated and frankly pissed off by specific events.


Black and white becomes my medium to channel this frustration stripping everything down to its raw essence, leaving only the pure spirit and aura of the message behind.


Let’s fucking go.


"Trash Heart" is a rare collaboration where the performers achieved total synchronicity. I'm deeply grateful to the singers and vocalists who dedicated countless hours to working with us.

We were exhausted, we faced disagreements, but out of it all came something truly beautiful.T

he songwriting fiercely tackles themes of romantic frustration, screen addiction, work burnout, and the crushing weight of social ineptitude, all delivered in a raw and hardcore manner.


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Posted by ItsBurner - 1 month ago


Hey guys, how are y'all ?


Just wanted to let you know that we have a Spotify page among many others, it would mean the world to us if you could hit a follow !


Here's an upcoming project =]


Edit : Now released !

iu_1324165_6257633.webp


Thanks for the love <3


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Posted by ItsBurner - November 16th, 2024


My 7 Rules of Sound


1. Melody: The Soul’s Narrative (Lead, Main Theme)


Melody is a line that carves through silence, a structure upon which sound breathes. It exists as the essential thread, a path that draws one into the depths of music. Each melody carries a distant memory, a persistent echo, something that pulls with quiet insistence. Melody isn’t something to hold but rather to follow; it lingers, leaving traces like a shadow of the soul itself—a form that speaks, not to be held, only to be known.


2. Sound: The Raw Material of Creation (Timbre, Tone)


Sound is where music begins and ends, a canvas that allows for infinite possibility. Unshaped, sound holds nothing and everything; it is potential awaiting form, an elemental force. Sound demands no allegiance to genre or style, no restraint or excess—only that it be molded with intention. In its essence lies a power that can transform, each tone chosen not for effect but for necessity. Sound is purity; it waits for nothing, yet it allows all things.


3. Texture: The Layered Reality of Music (Arrangement, Layers)


Texture grants depth to music, the dimensions that unfold within sound’s layers. It is the subtle architecture, the balance of density and lightness, crafted to create immersion. Texture is what invites one beneath the surface, into a complexity that cannot be immediately heard. It holds a discipline of its own, a layering that gives sound its reality, its depth of field. Each layer adds a quality that becomes clear only with patience, a truth that reveals itself quietly.


4. Rhythm: The Pulse of Existence (Beat, Tempo)


Rhythm is the scaffold of time within sound, a pulse that requires neither permission nor excess. It moves forward, an unbreakable line that anchors and advances. Rhythm provides music with gravity, a steady pace that reminds one of life’s inexorable progression. It is what tethers sound to reality, pulling it out of abstraction and giving it a place within the cycle of existence. Rhythm is unwavering; it accepts no deviation, existing only as it is, neither asked nor explained.


5. Feel: The Invisible Touch (Groove, Swing)


Feel is the touch beneath technique, a mastery of restraint, and a subtlety that cannot be willed into existence. It is the control that leads each sound toward clarity, the measured use of silence, tension, and release. Feel is the invisible line that separates sound from mere noise, a presence that makes music unmistakably human. It cannot be imposed, only held in its place by choice. Feel is the invisible thread that binds notes into something deliberate, refined, and felt only by the listener who waits.


6. Emotion: The Resonance of Heart and Mind (Dynamics, Expression)


Emotion lies within the silence of music’s depths, waiting to rise, unbidden. It is what lies beneath reason, an expression that reaches the listener without mediation or explanation. Emotion demands nothing, it persuades without force; it is what remains when all artifice has been stripped away. Music that holds emotion transcends itself; it becomes the pulse that is heard without being touched, felt without being understood. Emotion does not ask—it remains, a resonance between sound and self.


7. Transmission: The Art of Passing Sound (Release, Impact)


Transmission is release. It is the moment sound leaves its origin, unattached, and becomes something beyond intent. Transmission is where music ceases to be personal and enters a state of pure resonance, a shared experience. In its release, sound no longer belongs; it is free to be absorbed, interpreted, or ignored. This is music’s final act, its ultimate transformation. Transmission is not the aftermath; it is the music’s entire purpose—sound cast forth, relinquished, and left to exist as it will.


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Posted by ItsBurner - September 1st, 2024


  • How has your music evolved since your last major project in 2021?


Since I've increased my music consumption tenfold, due to the ever increasing hunger that my ears seem to go through, I've incorporated a lot of new elements, learned a lot of new techniques (thank you gear, synthesizer and instrument reviewer son youtube). I've improved my knowledge of music theory and keyboard/piano playing, though I still heavily rely on quantization. I've also been a lot more experimental with mixing lately, willing to push the envelope further, even if my brain isn't used to it.


  • What challenges have you faced recently in your music career, and how have you overcome them?


What music career ? x]

I don't think about this at all. I make music as an expression of myself, for myself and people willing to discover this new "language" so to say. I can still find work as an audio engineer but I prefer not to nowadays, I'm content with my current situation !


  • How has your approach to songwriting and production changed over the years?


Yes, a lot. Especially going from electronic to mainly pop and jazz song structures.


  • Can you share the story behind one of your like “Generation Rebellion”?


In fact, it's one of my favorite songs we've ever made, at the very least in my top 3.


It started as a joke with the stock DX7 picked bass preset (really thin and funky sounding) where I had a really robotic pattern. It was brainstorming really, until at one point it just clicked. I've thought about having acoustic drums, but the E-Kit we had came with a Korg M1 drum preset, which sound pretty much tailor-made for the DX7. I've then made the remark that it sounded like late 80s Japanese city-pop, which was pretty refined at the time and used contemporary gear instead of the usual LinnDrum or TR-707. It was a sonic revolution of the "Neighties" era, 1987-1992. So adding some key changes here and there, a saxophone break in the middle, with a marvelous guitar solo at the end (I only played the part in the duet with the saxophone) and it even had an Eddie Van Halen vibe.


As for the title, it's because I want people to rise up and fight for their rights.


  • Can you share any challenges you’ve faced in your musical journey over the last few years?


Writers block and/or lack of inspiration. A nightmare.

Sometimes a project just "clicks" in your head and you enter a flow state, sometimes it's like rolling a boulder uphill.


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Posted by ItsBurner - August 7th, 2024


Ever had ups and downs?


I certainly have, and quite frequently.


This rollercoaster of emotions inevitably seeps into my work, whether I'm writing songs or stories. Our moods affect us all.


Lately, my music has taken on a moody tone, a reflection of the toll the world's current state is taking on me. I've tried to ignore it, but I've realized that the best way to deal with this angst is to incorporate it into my art, releasing it from my psyche.


Inflation, geopolitics, climate change—it's all too chaotic and overwhelming. Since the lockdown, I feel as though two years of my life were stolen from me, with no way to get them back. This year, I've been meditating and fasting more often, acknowledging the saying that the gut is our second brain—a fact supported by science.


All I'm saying is that the forecast ahead looks grey, with possible storms.


It's crazy.


--------------------------------------


Until We Meet Again


C Major – 99 bpm


Verse 1

In the half-light of early dawn,

Creaky floors and lawns dew-drawn,

Laugh lines linger where we used to lay,

Promises like cobwebs, swept away.


Chorus

Until we meet again,

Through the cracks of broken skies,

I’ll hold your echoes in my flaws,

As time just slips and slides.


Verse 2

Down the paths where wild things grow,

Beside the streams that used to flow,

Now the water’s still, the night grows cold,

Yet in the silence, our story’s told.


Chorus

Until we meet again,

In the fading light of day,

Where everything means nothing,

Yet we say it anyway.


Bridge

Sometimes I wonder why we try,

In a world that’s bound to say goodbye,

Yet here I am, a fool, perhaps,

Clutching at the might-have-beens, perhaps.


Chorus

Until we meet again,

Through the cracks of broken skies,

I’ll hold your echoes in my flaws, As time just slips and slides.


Outro

So here’s to the emptiness,

until our paths realign, I’ll cherish the void you left,

In the corners of my mind.


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Posted by ItsBurner - July 7th, 2024



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Posted by ItsBurner - May 31st, 2024


Hey guys !


As you know, I've taken a step back this last month due to some personal issues that are on the path of being resolved (for now, I hope at least), fortunately I've taken the time to polish some songs and release a mostly solo project called Sprezzatura, I've been intrigued by the "Frasurbane" aesthetic lately and wanted to make a musical equivalent, let me know how I did !


I'm not entirely back, but let's say I've got a lot more free time to write songs, but I'm glad to be back !


~Burner


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Posted by ItsBurner - April 27th, 2024



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Posted by ItsBurner - April 11th, 2024


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Posted by ItsBurner - March 26th, 2024


I don't mind a reasonable amount of trouble !


Or listen on youtube !


In the velvety darkness of Stinkin’ City, each street corner whispered a story, and every alley held a melody. The year was 1985, and the city was a tapestry of tales waiting to be told, sewn together with the threads of music and mystery.


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